Two of the intangibles I’ve gained since becoming a college student in my thirties are confidence and perspective; I’m not sure that would’ve happened had I continued with my original plan–get my degree in Health Information Technology and be done with it.
The semester I took a Creative Writing elective, I began to seek out more opportunities to enrich my college experience, which included participating in poetry readings, writing for the student newspaper, and work-studying in the English Department. Attending events, such as plays, art shows, and Book Talks, broadened my experience even more.
The best Book Talk I’ve attended thus far was given by columnist Rheta Grimsley Johnson (http://www.timesdaily.com/life/columnists/rheta_grimsley_johnson/rheta-grimsley-johnson-make-much-of-something-small/article_ab2398fa-af14-56c5-b20c-22eeeb51902b.html).
Wednesday, March 15, 2017
Rheta Grimsley Johnson is a lady one might mistake for a schoolteacher, with her pearl necklace and long dress, and pleasant voice with a Southern lilt. “You can make a living as a writer,” she told an audience at Pensacola State College.
As many lovers of words are wont to do, she quoted Robert Frost, who said that writers “write about the common things in an uncommon way.”
The column that propelled her career as a newspaper columnist was about her dad losing his job. This resonated because corporate America no longer valued loyalty, but was all about hiring younger and cheaper. “My dad was a company man,” she said, and it was like being “bitten by his own dog…this one piece took on a life of its own.” Her editor loved all the letters that came in, in response to the column.
Years ago, she was told by one of her editors not to write about children or dogs. “Don’t write like a girl….don’t write about emotional stuff,” Johnson said. “There was always a dog right there next to me, no matter what was going on in my life.”
Johnson lived in Pensacola as a young child. “I knew even at seven we were trading down,” she says, of when her family relocated from Pensacola to Montgomery, Alabama. She can still remember the first time she heard wind chimes—it was a “magical time”.
In 1989, Johnson wrote a biography of Charles Schulz, the creator of the “Peanuts” comic strip. When Schulz complained about the popularity of “Doonesbury,” Johnson asked why he didn’t write a political cartoon. “I want to stick with the verities.” Like Johnson, Schulz sticks with “the human condition” which transcends time.
Being a seasoned writer, Johnson doled out some sage advice: She doesn’t like v-words, like “virtual” and “vis-à-vis”—“fancy pants little words you don’t really need.” “Very” is a common repeat offender and needs to be locked away, brevity is key.
According to Johnson, people have a nine-second attention span (while goldfish have 13), she works hard on her lead.
Like the old-school notion of the three R’s being reading, writing, and ‘rithmetic, Johnson says good writing has three R’s:
The first one is rhythm. Reading it aloud is the “best way to self-edit…Good writing has rhythm, just like a song.”
“If you know how to write a short, declarative sentence, you will be sought out… Good nonfiction should read like fiction…good fiction should be as well researched as nonfiction.”
Keeping a journal to jot down things as they come to her is like “having money in the bank.” Having written four columns a week, she says, “Writers block is a luxury.”
The second R was restraint. “Just say what happened.”
The third R is routine. “Try to write in the same place…same time of day.”
Because newspaper circulation is on the decline, she said, “I’m going to completely outlive newspapers…I needed to reinvent myself a little bit.” Johnson has authored “Hank Hung the Moon:…and Warmed Our Cold, Cold Hearts” and “The Dogs Buried over the Bridge: A Memoir in Dog Years.”
“He sang me through a lot,” she says of Hank Williams, and dogs “teach us more than we teach them,” such as taking naps and hiding the best treats.
Johnson’s writing career hasn’t been one of a “front-porch thumb sucker,” but one of getting outside her head and finding the extraordinary in the ordinary, 550 words at a time. “You meet the most interesting people at laundromats and bus stations.” Stories are everywhere. A good writer knows it when he or she hears (or sees) it.