Though I like the narrative of Stephen King’s On Writing better (i.e. more concrete, less abstract), this book had many more plusses than minuses. The title fits because Goldberg takes a page from Strunk and White’s advice to “omit needless words,” not burdening hers with excessive description or detail (just a handful of unnecessary quotes). Though I checked this out from the library, I will end up purchasing it, so I can go through it with my highlighter, as I cannot possibly remember all the wonderful little tidbits.
Goldberg wrote in a non-academic way, which I appreciated, as well as the fact that the creatively-titled chapters were short. I don’t often get a chance to read till the end of the day in bed because I spend the day working on my own writing, so short chapters make it easy to find a stopping place.
Though I realize all writers have different experiences when it comes to their craft, I’ve never heard an imaginary voice telling me that I shouldn’t be a writer. Writing has always been the one thing I’m sure of. In fact, I am more likely to think something is good when it isn’t (which I figure it out a year later when I go back and reread some of my old blog posts).
If I had to choose my favorite takeaway from this book, it was making “verb columns” (page 95-97). It was such a fresh and innovative idea to make verbs pop.
Conversely, I found the excessive references to Katagiri Roshi distracting (and somewhat annoying, as it felt like proselytizing), especially since most of the quotes didn’t seem to flow into the narrative.
Being a huge fan of humor, I appreciated the hilarious list about why one writes (page 122). This is what Goldberg is good at—writing short. Maybe because Goldberg is a poet and not a storyteller. I consider myself the opposite. (Even my poetry tells a story.)
Through reading books from authors who fictional works I don’t particularly enjoy, I’ve discovered that we can learn not only from experimenting with all kinds of writing but how to write from all kinds of writers.