To be fair, I didn’t finish this book (which is why it gets one star). I was only able to finish the Introduction (which was promising), and most of the first chapter. When Mr. May talked about design (and I’m not even a design major, much less an artist), I was engaged, but as soon as he started talking about cars, I could feel myself enter outer space.
I like to say that “Brevity is literary minimalism”; Mr. May broke his own rule by using the phrase “shrug our shoulders” (xii)–what else would one shrug?
I was actually looking for a book on minimalism (not the art, but the lifestyle), and this book just seemed to go on and on about other things. I must say, the title was clever, but the six simple rules he comes up with don’t make a lot of sense to me, such as “Doing something isn’t always better than doing nothing”. (One could replace “doing nothing” with “doing something else”.) That said, I did like his “better with less” (xiii) adage (in conjuction with, but not opposed to, “more with less”). Another quote I liked was “The ability to use patterns to create meaningful relationships from seemingly unrelated elements is a uniquely human attribute and the hallmark of creativity” (12). This has to be one of Glenn Beck’s favorite quotes.
However, he lost me when he said, “If I could figure out how to get this particular portfolio of insight and inspiration into your head with an affordable form of magic that removes the written word entirely, I would” (xv). A writer wishing the abolition of the written word? I don’t think so. Not enough people read now.
I do believe that “what isn’t there” is as important as “what is there”. We always talk about the need for plenty of white space in writing or “reading between the lines”.
I tried to read a few of the contributors, but couldn’t get into those either. This book might’ve made a good series of heavily truncated blog posts, but that’s about it.