#Micropoetry Monday: The Lighter Side (Grammar Edition)

samuel-67197_1920

The Fanboys—
a passel of 7 devils—
had given
the Comma Queen
of Oxford
conjunctivitis
with their incessant need
for attention,
so much so,
that she chose to sacrifice
her life
for the Semicolon.

When the Writing Lab
decided to give
performance art a shot
by putting on a play,
it was fraught with errors:
The sentences ran on too long
& there were too many commas—
all the while semicolons
wandered around,
unsure of their placement.
The villain was a dangling modifier,
which was a problem,
as no one knew what it was;
by the time the audience figured it out,
the story had been killed.

He was Times New Roman,
feeling superior with his flair at every end;
she was Arial,
feeling equally so with her minimalistic look.
When Comic Sans came along,
crossing their lines & bleeding into their text,
they collaborated with Calibri
& sought to kick this whimsical little upstart
off the Typography Team.

Advertisements

#Micropoetry Monday: The Writer’s Life

typewriter-1170657_1920

Her poetic license had no expiration date,
for she went around putting line breaks
where she thought they should be,
inserting the Oxford comma wherever she went,
omitting needless words,
adverbs,
& clichés,
for just as brevity was literary minimalism,
clarity was literary purity.

When she brainstormed,
her fingers were like lightning
across the keyboard,
her words like thunder
as she hammered away at a clump of words
to create a viable human-interest story.

It was reading, writing, & arithmetic
in grammar school,
academics, arts, & athletics
in college.
Sara Lee Storey excelled in the arts,
writing about the academics, 
& editing the words of those
who wrote about athletics.