#Fiction Friday: #Novelines from the Book

Mormoni

I became somewhat of a Pollyanna during the heyday of my Mormon experience. I didn’t look around, but straight ahead—to the end I had to endure to.

The Coveys had more kids than the Von Trapps, & all by the same mother & father.  I had a feeling there was going to be some matchmaking going on, especially since the Jonases had all girls & the Coveys, all boys.  It would be like the Mormon version of Seven Brides for Seven Brothers.

My friend Brad saw in me then, what I did not see in myself—the love I had for my stepfather that went beyond fatherly.

The Fosters—the owners of the diner David & I had secretly dined in—had been the aunt & uncle who’d raised him, the foster parents who’d never approved of Mother.

Beth & Gerald had loved me as if I were David’s very own. If only I’d known, I would’ve loved them more while they were alive than after they died.

The lovely couple I had known in that diner in the woods were the shapers, if not the creators, of the man on whose lap had I sat.

He had never let them go, even as he had never let me go.  He had held on to his secrets, so he could hold on to my mother.

That was why they had seemed so familiar, for I had, in a way, grown up with them, even as they had watched me grow up, playing with my memories.

It was incongruous that David grew up on a farm in rural Pennsylvania, only to become the epitome of urbanity in a township in Green Haven, Florida.

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Writing prompt: The symbols of your life

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I wish I could take credit for this idea, but my Contemporary Literature professor last semester asked us to examine our life as a literary text–to search for symbols.

My name is Sarah Lea, which is symbolic of my love for baking, as well as a nod to my playful nature (when it comes to writing, anyway).  And though I’m not generally a fan of Urban Dictionary, I rather love the definition they attributed to my name:  https://www.urbandictionary.com/define.php?term=Sarah-Lea

As for the things I carry, well, that always includes a tube of Revlon’s “Love is On” lipstick (symbolizing my love for anything red or retro), a pair of tweezers, and a flosser.  (There will never be a hair on my chinny-chin-chin.

In the pocket of my red purse (which my husband helped me win at a “Dirty Santa” party), I keep a USB drive, which represents my love for compact, but tangible things (verses saving everything to a mysterious “cloud”). It’s why I read physical books and not e-books. It’s why I write articles for the print version of The Corsair and not for the web (unless they ask me to or shove a story I wrote for the print edition online because they “ran out of room”).

For me, there is something more permanent and prestigious about print. It cannot be edited once it’s been printed (like an online article) and it looks so much better in a scrapbook.

A brand-new suitcase, now several years old, reveals that I never have enough money to travel, but that I hope to someday. The fact that it exists at all is optimistic, which I attribute to my Pollyannish nature. For now, the case is a storage space for my out-of-season (or “when I am skinny again”) clothes, which forecasts that a trip to Iceland or Australia (or Skinnyville) won’t be happening any time soon.

So analyze (or psychoanalyze) the symbols that make up the text that is your life.  You just might learn something new about yourself.

Writer’s Digest Wednesday Poetry Prompt #425: Happy Distraction

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Poetry in Motion Pictures

In Pollyanna,
I saw myself as the Sunday school girl
who focused on the “Happy Texts,”
because it helped me “keep the faith.”

In A Tree Grows in Brooklyn,
I saw myself in Francie Nolan—
that lies weren’t lies if they were written as stories.

In The Wizard of Oz,
I saw myself as Dorothy—
who fell asleep to dreams
well-lived.

In The Sound of Music,
I saw myself as Liesl von Trapp,
who saw the greatness of her country
diminishing.

In Kitty Foyle,
I saw myself as “that sassy Mick”—
once in love with an unattainable man.

In Elmer Gantry,
I saw myself as Sister Sharon Falconer—
whose faith was strong,
even as her love for a man made her weak.

In Seven Brides for Seven Brothers,
I saw myself as Milly,
who tried to smooth out a rough-hewn man.

In Gone with the Wind,
I saw myself as Scarlett O’Hara—
who proved that strength and tenacity
could save it all.

Classic movies have always been
my happy distraction,
for in them,
I saw the parallels of my own life,
and though their pain wasn’t my pain,
their joys were my joys.

http://www.writersdigest.com/whats-new/wednesday-poetry-prompts-425

Writer’s Digest Wednesday Poetry Prompt #409: I Am A (Blank)

Reflections, Saint Patrick's Day

I Am a Slow-Speaking Lady

I am a slow-speaking lady,
a cracked Southern belle.
I am a Pollyanna at times,
an H.L. Mencken at others.
I am a Christian outside church,
a skeptic, a questioner, inside.
I am a lover of old things,
a user of new things.
I am okay and not okay.
I go by no other name—
no Mrs., no Dr.,
and never Sally.
I am someone’s brown-haired,
less intellectual
Diane Chambers.
I am a Lucy,
looking for her Ethel.
I am a bra-hating
non-feminist,
stuck in a society
stuck on teats.
I am a 35-year-old mama
playing her gender role
to the cross.
I am a black Irish,
white-collar,
working-class gal,
whose freckles
number the stars.
I am an open book,
a woman of mystery—
right down to the
witty gritty.
I am unilaterally deaf,
bilaterally blinded by
what is going on in the world,
for mine is a series of
unnatural disasters.
I am strong as spider’s silk,
as vulnerable as Hitch’s
leading ladies.
I am all these things;
I am more than these things,
for there is no end
to that which makes me,
me.

http://www.writersdigest.com/whats-new/wednesday-poetry-prompts-409

#Micropoetry Monday: Faith & Spirituality

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He preached to the masses
of their filthy rags of righteousness,
but it was when he preached the “Happy Texts”
that his people saw less the ugliness of man,
& more the beauty of the Divine.

They were not found in Salt Lake,
nor in the Church of Scientology.
They were not found in buildings,
nor in any book or prophet.
To know Him
was to know His Words–
words that had been translated
so many times,
that the person who sought Him
tried to make sense of what was left.

God was everywhere,
whether or not we chose to
drink Him in.
His DNA infiltrated our cells—
He had taken His image,
& made copies—
worth more than original
Picassos—
every one of which He paid
the highest price for;
though some would sell themselves
to the lowest bidder.

I’ve lived a thousand deaths such as these,
but the only two that will matter in the end,
will be the one that separates me from this earth,
& the one that reunites me with the God
whose work behind the scenes of my life
I recognize as per His direction.

When they eradicated all of the mental defects,
they eradicated the physical.
When they had done that,
they eradicated the ugly,
but in place of beauty,
there was only coldness,
& no one left to save
or be saved.

“For he shall grow up before him as a tender plant,
and as a root out of a dry ground: he hath no form nor comeliness;
and when we shall see him, there is no beauty that we should desire him.”
(Isaiah 53:2)