It has been almost a month since my last posting. Spending more time with family, enjoying summer, and wading through all the red tape to go back to school has taken up most of June. I have been hopping from Building 5 to Building 2 to back again for weeks now, and I have yet to make it to the beach. It is the raining season in Florida. One year (I don’t remember which, but it’s been within the last three years), it rained every day in July. I have, however, made use of all my old seashells (pictures to come later).
I have finished my story for the Saturday Evening Post Great American Short Story contest, and I got together with a friend of mine over coffee to help me edit, and hopefully, publish and market “Golden Stars and Silver Linings”, my collection of children’s nursery rhymes (50 in all), complete with a few recreational drug references and double entendres (however unintentional).
Though I don’t consider writing poetry a waste of time (they’re great writing exercises and fun to write, too), poetry for adults just doesn’t sell; though I have several favorite poems by the greats (Robert Frost and Edgar Allan Poe), I never read modern, adult poetry. I’ll still enter free poetry contests for which there is a cash prize (a pine needle in a hay bale?), but I refuse to pay any more entry fees when it comes to poetry contests. Poetry isn’t hot (people like stories), and so those venues that publish it have to charge entry fees just to stay in print because they don’t make money off subscriptions. Harlequin romances sell, and that’s my focus right now (as far as adult novels go). Poetry might be more fun to write, to do, than to read (like tennis is more fun to play than watch). I tend to feel about poetry in novels like I feel about paragraphs written in italics: (obvious) dream sequences bore me as much in novels as they do in movies.
There is one movie, “The Woman in the Window”, with Edward G. Robinson and Joan Bennett (highly recommended), in which almost the entire movie is a dream, but that’s okay, because we don’t know it till the end. The fact that it was all a dream was a bit of a letdown.
Though Dorothy’s adventures in Oz also turned out to be all a dream, I prefer to believe she somehow, telepathically, traveled to a parallel universe.
The poem you about to read is based in reality, though creative license was taken. It was entered into a tree-themed poetry contest. I never heard back, so I assumed it wasn’t chosen. I have noticed that many journals that publish poetry specify they don’t care for rhymed poetry, that it reads better, blah, blah, blah. I believe there is a certain snootiness where rhyming poetry is concerned–it is seen as not edgy or provocative, but trite and childish. I disagree, as long as the rhyming isn’t forced and is written well. With this poem, I experimented with rhyming every first and third line, and every second and fourth. It was a very difficult task, and quite unnecessary; second and fourth would have been sufficient.
However, here it is:
The Trees of Life
Twas under the magnolia tree with its voluptuous, white blooms,
where I read piles of books while drinking sweet tea from a tall glass;
by the light of the pearl moon I read, the honeysuckle releasing its perfume,
my pillow a denim backpack, my bed a lush patch of St. Augustine grass.
Twas under my grandmother’s dying hickory trees,
that I wiled away the lazy summer days in sweet repose,
writing the kinds of stories I loved to read,
the scent of peach pound cake teasing my nose.
Twas under the ancient oak at my parents’ house on Jackson Street,
that my husband-to-be, knelt in the sand on one knee;
*his grandmother’s band of rose gold with a pearl solitaire,
slipped it on my finger–this intricate heirloom of sentimental wear.
Tis every birthday, under the curving colonnade on Twelfth Avenue,
my husband takes me to the Cactus Flower cafe,
classical music playing with the window down partway,
the breeze blowing through my hair those warm, September days.
Tis past rows of swaying palm trees I walk,
flip-flops slapping hot concrete on the way to the boardwalk–
the beauty of the Emerald Coast shimmering in the background,
full of seashells—jewels of the sea–just waiting to be found.
Tis under the Christmas tree,
I lay my baby daughter beside me,
to look up at the twinkling lights–
lights in red, green and white.
Tis amongst the pine trees in the park we watch our children play,
picnicking on our tattered blanket of blue and white squares,
enjoying a Southern smorgasbord of homemade foods artfully arrayed,
whilst a spray of dandelion seeds and yellow butterflies float in midair.
Tis under trees of various species,
we gather ’round the table in our backyard,
enjoying the warmth of the bricks under our feet,
the steaks juicy, the peaches deliciously charred.
And then the day will come and so it will be,
that under the shade of a weeping willow tree,
I will return to the earth in eternal rest,
peace in knowing I have lived my best.
Christian films (and movies with Christian themes) are rising in popularity. A revival is going on. How much that influences what magazine publishers/editors are looking for, I have no idea, though I wish I did.
For instance, “The Saturday Evening Post” is sponsoring a Great American Fiction Contest, and one of the guidelines is this: Think local. The Post has historically played a role in defining what it means to be an American. Your story should in some way touch upon the publication’s mission: Celebrating America, past, present, and future.
Now I can do that. However, being a Christian (especially growing up in the Buckle of the Bible Belt), it is very hard for me not to include any mention of religion (good or bad) in my writings. It is not only what I know, but it is part of what makes me, me. I always think, before I send a piece that has even a passing mention of Christianity, that it will be rejected for that reason. What I write tends to be too liberal to qualify as Christian fiction, and too conservative for mainstream fiction.
Hence my dilemma in crafting a story for this contest. If I was submitting a piece for this magazine seventy years ago, this wouldn’t even be an issue. My thought is that I’m writing to impress the editors, not the subscribers, because I have to get past the editors first.
When I think of what constitutes Americana, I think of “Huckleberry Finn”, “Leave it to Beaver”, baseball, hot dogs, apple pie, Stephen Foster and Norman Rockwell. I think rural. The story I originally wrote for this contest is about a group of young Mormons living in Montana (as I was once a young Mormon living in Montana). I fear even the mention of the word Mormon, much less most of my main characters being members of such a controversial religion, might scare off the editors, who fear offending anyone. That’s the kind of country we live in now. We (or some of us) live in fear offending anyone, and if we do happen to offend, we must apologize immediately. It doesn’t pay to be honest anymore, but rather, it costs us. I can write what I want, all I want, but if I want to win a contest, I’ll probably have to censor myself a bit, thus making my piece less authentic.
So, I am at a crossroads. Because of the ten dollar entry fee, I don’t want to send something I’m pretty sure won’t be chosen, but I am grappling with a story that will appeal to the masses (though I do believe Christianity, portrayed in a positive light, would be appealing to most people, but again, I have to get past the editors).
A few nights ago, my husband and I watched “I’d Climb the Highest Mountain”, a fifties movie starring William Lundigan, as a Protestant minister, and Susan Hayward, as his wife. I’d read on an imdb.com message board that it was serialized in “The Saturday Evening Post” and it (the movie) was a perfect example of what qualifies as Americana. The movie is a good watch, but milk without the meat. Things happened, but it didn’t have a plot (which is fine; “Our Town” didn’t either, and I loved it).
I am thinking of abandoning my original story (or perhaps omitting the Mormon angle altogether, even though that’s what my characters are; I borrowed them from a book I will publish someday in which the Mormon theme is integral to the story), and writing something brand new. No borrowing. I am thinking of penning an homage to my hometown of Pensacola, Florida–a small city that is steeped in Christianity. If I write as an observer, I might just get away with mentioning the existence of churches, maybe even God!
So I am writing a story to submit to the Saturday Evening Post short story contest. See: http://www.saturdayeveningpost.com/fiction-contest
I like specific guidelines, one of which is this: Think local. The Post has historically played a role in defining what it means to be an American. Your story should in some way touch upon the publication’s mission: Celebrating America, past, present, and future.
I am an American who lives in America, living in a town that supplies endless material (both complimentary and not so complimentary). Lots of writers love to write about the South (Tennessee Williams comes to mind). I’d had the road trip for a story all mapped out, until I realized it might be too religious in nature. It was going to be about a group of four girlfriends, one of whom leaves the comforting folds of Mormonism, and how her leaving affects the rest of them.
My idea preceding that one was going to be about two sisters, Lucy and Emma Potlocki (who go by the “Anglicized” surname of Lock), who seek their fortune by auditioning for the part of Scarlett O’Hara in 1939, then I googled for some information, and that’s when I came upon “The Scarlett O’Hara War”–a TV-movie about just that. Sometimes you wonder if your idea is original, or, if somewhere, in the back of your mind, it’s a memory.
According to Branden Rathert, our local radio host, when one steps into Pensacola, they’re stepping into the year 1927. I don’t think places like Emerald City (google it, if you want) existed in 1927, at least not openly, though Pensacola does have a church on every corner (and some in between).
However, I will not be setting my story in Florida, but rather in Sidney, Montana, where I was a live-in nanny for three girls. Since the story has to be fiction, I juiced it up a bit. My protagonist (I don’t use the term “heroine”, as I think it’s silly, unless she does something heroic) is from Pensacola, but has left home to do just what I did more than a decade ago. She is LDS (as I was at the time, though I won’t make her religion central to the story; however, Mormonism is a very American religion), and that’s where the similarities between my story and her story end. Her experience is quite a bit darker (I just can’t help myself) than mine was.
I borrowed her (and one of the main two plots) from the novel I wrote (“The Fall and Rise of Alfred Bomber”) that she is a supporting character in. Since it will be quite some time before “Alfred” is finished (meaning edited), I thought Karsen Wood (the name of my protagonist) may as well be doing me some good elsewhere. I see this story as Karsen’s part-time gig, rather than her full-time career in “Alfred”. I grew quite fond of her (as she is an extension of me), in addition to the fact that her story gave me something to build on other than a blank screen.